Who Is Berly Charles?

The guiding light of “Big Love,” my novella, is a whipsmart woman who has a deep affinity for Disney heroines, even though she realizes they are not always the best role models. She wants to make a difference in the world and she wants a difference to be made in her life.


Michael Ehret loves to play with words and as the author of “Big Love,” a novella published by Scrivenings Press, he is enjoying his playground. Previous playgrounds include being the Managing Editor of the magazine ACFW Journal and the ezine Afictionado for seven years. He also plays with words as a freelance editor and has edited several nonfiction books, proofedited for Abingdon Press, worked in corporate communications, and reported for The Indianapolis Star.

Filling Your Well of Ideas

Sometimes I think my idea well has run dry. The plots I dredge up are so spare they couldn’t even flesh out a flash fiction story.

Can you relate?

The Well of Ideas

The Well of Ideas

Usually what this means is I need to switch from “creative” mode to “ingestion” mode—I need more raw material to draw from. Some writers can create a story idea from nothing except their own imagination.

That is not me. And if that’s not you, too, maybe this trick will help you fill your well.

Feed Me, Seymour!

Much like the carnivorous plant in “The Little Shop of Horrors,” I need constant feeding. Often I chow down on a great novel; less frequently nonfiction fills my gullet.

Maybe it’s my background as a newspaper reporter, but some of the best food for my imagination comes from the news—including quasi news sources like blogs. Because, as Mark Twain said, “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.”

When I read news, online or print (broadcast doesn’t work for me), invariably I read an article that sparks an idea or two. Now, I freely admit not all of them will produce even a flash fiction piece, let alone a full-blown novel, but the important thing is I’m filling my imagination. At the appropriate time, several of the ideas will likely congeal together and produce something workable.

But I can guarantee that nothing workable will be produced if raw material isn’t imported into the processor.

Is he talking about you?

What is the cost of living together?

What is the cost of living together?

For instance, I read this commentary from Regis Nicoll the other day called “The High Costs of Living Together.” It included this gem:

In 1969, although the vast majority of people, 82 percent, reported having had sex before marriage by age 30, only 21 percent felt that was morally acceptable.

… Over the next 40 years, as public acceptance grew three-fold (to 63 percent) and (more) people (94 percent) admitted to having “done it,” there was far less social pressure to restrain it or keep quiet about it.

This sea change in attitudes and practices can be attributed to two things: “no-consequence” sex and a morally-compromised Church.

… With roughly 80 percent of the U.S. populace Christian and 94 percent admitting to pre-marital sex, that means that a lot of Christians—very likely the majority—are guilty of sexual sin.

Woah … right? I know a lot of people who will take offense at a study like this. But that’s what makes great fiction!

Is that giving you ideas? (Story ideas, guys, story ideas.) It sure did me. My oeuvre, the framework within which I write, includes marriage, fidelity, trust—and all the antonyms of those, of course. I took the entirety of Nicoll’s piece and fed my imagination with it. Who knows where it may lead, but now that information has been uploaded and is available. (And also stored electronically.)

Fill your well

The point is there are ideas for fiction everywhere if you open your eyes, your heart, and your mind to them. If you read something that sticks with you—good or bad—file that away in your Well of Ideas. Maybe you’ll use it, maybe you won’t. But you for sure won’t use it if you don’t have it stored away.

Obviously our world is ever in need of the transformative power of story—and of Story. What ideas have you picked up from news sources and used in your stories?

Want to play?

Screenshot from Jan. 25, 2014, FOXNews.com home page

Screenshot from Jan. 25, 2014, FOXNews.com home page

Go to the front page of your local paper (or to the home page of CNN or Fox News or your favorite online news source) and read the main story—no cherry picking. Choose one fact or one quote or one idea from that story as your idea seed and freewrite a paragraph or two in the comments.

Here’s my example. I wrote this on Jan. 25 based on a story found on FOXNews.com. The story has changed since that day and my idea seed is no longer in it, but it’s still a good example.

My idea seed: The scene was “believed to be secure” police said in a tweet issued at about 12:36 p.m. Here’s what I came up with:

Ethan was dead. True. He’d been an effective triggerman. Also true. But there were others. Many others.

Captain White’s tweet that the mall was “secure” made Gaston—almost—laugh out loud, but he did not “LOL. When he laughed, and it was rare, it was real not some fake social construct. But that “out loud” part was a luxury he couldn’t allow himself right now. Later? Most definitely.

Stupid twerkers. Ethan got a few, but they’d be back prancing through the mall in their tight clothes and loose morals soon enough. It was “secure,” after all. White said so. Truth. 

So not true.

And then he did chuckle—but quietly. After all, the shoppers trapped in his store from the lockdown were still shook up and hyper aware—no sense in giving them something odd to remember if the police did questioned them.

They’d soon enough embrace again the fragile cloak of security they thought protected them. True, always true.

So, if you want to play leave a comment. Or, if you want to talk about where you get your ideas fromhow you fill your Well of Ideasleave a comment.

Well image courtesy of FreeDigitalPhotos.net and cbenjasuwan.
Couple image courtesy of FreeDigitalPhotos.net and Ambro.

Mike-9Michael Ehret loves to play with words and as the editor of CHEFS Mix Blog for CHEFS Catalog he is enjoying his playground. Previous playgrounds include being the Managing Editor of the magazine ACFW Journal and the ezine Afictionado for seven years. He also plays with words as a freelance editor and has edited several nonfiction books, proofedited for Abingdon Press, worked in corporate communications, and reported for The Indianapolis Star.

Originally posted on Novel Rocket

Believable character change

For Christmas, I love making sugar cookies with cookie cutters. It’s fun to slather colored powdered-sugar frosting for that extra layer of sweetness over those recognizable holiday shapes.

ChristmasCookie2Even though frosted differently, those cookies all look the same. There’s not a lot of difference between my cookies and the ones my kids create. And they taste exactly the same—sweet perfection.

One of the challenges we face as writers is creating characters who don’t look like all the others. Characters who aren’t stamped out of the same dough everyone else is using.

God changes lives—just not mine

I was reminded of this during a recent sermon. Our pastor at Springs Community Church, Eric Carpenter, had just begun a series called “Practical Atheist,” focusing on Christians who believe in God, but live as if He doesn’t exist. (Based on Craig Groeschel’s book, Christian Atheist.)

At the beginning of the sermon Carpenter said, “It’s like when we say we believe in a God who forgives, but refuse to accept His forgiveness personally or refuse to forgive others. We believe in a God who changes lives, but don’t believe we can change in meaningful, deep, abiding ways.”

That’s when I thought of the characters in my current manuscript.

Are they cookie-cutter Christians, cruising through life with a few bumps and scratches that are easily covered by a new layer of “holiness” frosting? Or are they authentic Christians even while living real, flawed lives?

And if they aren’t, what would my book be like if they were?

Creating misery

My characters—and yours—need to suffer, and not just a little. I need to find each one’s core weakness and exploit it. Then exploit it again and again and again.

ChristmasCookie1We need to find the point in each character where they’re a practical atheist—where they don’t fully trust God or haven’t completely made Jesus their Lord, even though they outwardly claim otherwise. And then we need to make them miserable in that exact area.

When we do that, we can help the character—and the reader—find their way back to God or more fully turn their weakness over to His strength.

And that’s when our characters step out of the cookie cutter and start to live and breathe. That’s when the story we’re telling becomes transformational—for the author and for the reader.

Michael Ehret, for Writing on the Fine Line

Michael Ehret loves to play with words and as editor of the ACFW Journal, he is enjoying his playground. He also plays with words as a freelance editor right here at WritingOnTheFineLine.com, where he often takes a writer Into The Edit, pulling back the veil on the editing process. He has edited several nonfiction books, played with words as a corporate communicator, and reported for The Indianapolis Star.

Got Quirks?



I have this thing about time.

My alarm is set for 5:41 a.m. (Sundays 7:53 a.m.). If recipe directions say bake for 25-30 minutes, I’ll pick 26, 27, 28, or 29—but not 25 or 30—minutes.

When I warm my coffee in the microwave, I use one minute and two seconds.

Never, ever, do I set things for exactly on the hour or half hour.

Is that a quirk? I can’t explain it. But when I’ve tried to overcome it, I usually fail.

Quirks make characters memorable

We all have quirks. I’m not talking about Monk-like OCD compulsions (I did love that show, however), but little idiosyncrasies that make us who we are.

Think about the character of Christopher Snow in Dean Koontz’ books Fear Nothing (1997) and Seize the Night (1998). Christopher has xeroderma pigmentosum, or XP, a rare genetic disorder that requires him to avoid ultraviolet light (daylight).

Not exactly a quirk, but throughout the novels Christopher’s condition creates, necessarily, interesting quirks that contribute to the books’ plots in ways that would make the books impossible without them.

Another great example is the character of Uriah Heep in Charles Dickens’ David Copperfield. Heep was a greedy man whose quirk was rubbing his hands together as he spoke, as if gleefully anticipating how he was going to cheat someone. Or was he subconsciously wiping his hands of the dirty money he blackmails his boss for?

Character quirks (or hooks or tags) can make your characters more interesting, more memorable. Properly chosen (Uriah Heep), these personality ticks can reveal more than mere preferences and can provide critical plot points (Christopher Snow).

Up the tension or drama

In my current manuscript, one of the characters has a habit of clicking his ballpoint pen when he’s nervous. Okay, maybe not highly original or even all that unusual. But, in a key scene his quirk becomes a way to drive the scene and increase the pace to a frantic pitch.

Character quirks are another tool in your writer’s toolbox. Use them well and you can create a character, and a novel, for the ages. But beware of overindulging a quirk—too much and your character becomes a cartoon.

Consider

  1. What’s your favorite character quirk you’ve created or read about? Why did it work so well?
  2. Was it merely for entertainment, or did the quirk run deeper?
  3. How could my quirk about time be used as something more in a manuscript?



Michael Ehret, for Writing on the Fine Line